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Phone: (707) 837-9850
Email: Thomascreed@earthlink.net
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Current Exhibits
Gallerie
Amsterdam Carmel, CA
1-831-624-4355
www.amsterdamfineart.com
Christopher
Queen Galleries Duncan's Mills, CA
1-707-865-1318
www.christopherqueengalleries.com
Galerie
Judith Engelstad
539 Bridgeway
Sausalito, CA
415-331-1753
www.judygalleryart.com
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Grants & Publications
Plein Air
Magazine
Featured Artist
July 2005
Southwest Art Magazine
Featured Artist
December 2001
Grant awarded from Pollock-Krasner
Foundation Inc.
New York, NY 1998
Featured on Sonoma State University
Catalog
Santa Rosa, CA 1998
Artist-in-Residence
Press House
Gallery
Buena Vista Winery
Sonoma, CA
June 1997 - July 1997
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Art Education
San Francisco Art Institute
San Francisco, CA 1986
Missouri Southern State University
Joplin, MO 1972-1974
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Memberships
Oil Painters of America
Museum of Modern Art
San Francisco, CA
Valley of the Moon Art Association
Sonoma, CA
Sonoma County Art Association
Santa Rosa, CA
Sonoma Museum of Visual Art
Santa Rosa, CA
Honorary member of the United
Anglers of Casa Grande for
mural donation
Petaluma, CA
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I have always
been an artist at heart. From a very young age, I have
scribbled, drawn, painted and sculpted... instinctively
compelled to create something from nothing.
My
"formal" training began with my study of art in
high school. I went on to complete two years at Missouri
Southern State University in 1974 with an art major. While I
established a career outside the art field, I was compelled
to continue studying art in my spare time, experimenting
with different styles and techniques. In 1986, I committed
to an art career by attending the San Francisco Art
Institute, which had a positive influence on me as both a
person and an artist. But my paintings from that era reflect
a painful arsenal of artistic ideas manifested from living in San
Francisco and attending the Art Institute.
It was not
until I moved to Sonoma County in 1993 that I rediscovered
my early love of the natural world. I now explore the beauty
and power of landscape painting using the unspoiled Northern
California countryside as my primary subject.
What I try to
convey through my painting is not just a visual rendering of
nature, but an evocation of the mystery and renewal that
nature communicates to us. As an earth advocate, I hope to
provide a more intimate understanding and appreciation of
the natural world through my art.
I choose to
work in oil, carrying onwith great respectthe classical
tradition established by the Renaissance masters. My
paintings have been referred to as realism, but that term
does not capture the most vital aspect of my work. My
paintings seek to evoke a deep emotional response from the
viewer. Working from detailed notes and sketches, I
translate the essence of each scene's mood onto canvasfog
nestled atop an oak-studded valley, morning sunlight
fingering across an inland marsh, afternoon shadows
lengthening through coastal brushpassing each experience's
vital energy on to the viewer. It is this emotional power
that motivates my painting.
Finally, a
major intention of my work is to continue the tradition of
art as a powerful medium of communication in our society.
Throughout history, art has been used as an instrument to
inform, entertain and inspire. The goal of my art is to
bring us into a personal dialogue with nature at a critical
time for our society's relationship with the Earth. I wish
to communicate the continuity and timelessness of the
natural world, while reminding us of the perfection we can
experience through nature in the present moment. By
eliciting these elevated emotions, my goal is to inspire a
desire to preserve it both for ourselves and future
generations.
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